Chris Randall: Musician, Writer, User Interface Designer, Inventor, Photographer, Complainer. Not necessarily in that order.
 
July 10, 2016

Tech_Time No. 002: Using the Eurorack and Push 2 together...

by Chris Randall
 



A slightly less esoteric Tech_Talk this week. My own personal workflow for dumping Eurorack tracks to Live for further production. This is kind of quasi-basic, I think, but I do get a lot of people asking me how I do it, so I guess it's something that people find interesting.

Looking for topics for next week's Tech_Talk and Weekly. Hook a brother up!

 
July 8, 2016

AI Weekly No. 002 - Maple-Bacon Donuts...

by Chris Randall
 



The new Weekly is up. Trying out a more comfortable camera-dialogue style. (This actually closely matches my internal dialogue that is going on 100% of the day in my head; this was my intent.) Let me know if you like / unlike / are ambivalent / whatever.

Anyhow, this week's subject: fear of failure.

 
July 3, 2016

Tech_Time No. 001: Tape looping with a Nagra III...

by Chris Randall
 



Someone asked in the comments of the last video if I could do a quick demo of how I loop with a Nagra III, and I wanted to do a second weekly that was just anachronistic tech shit, so the stars aligned. Here's a video about how I make tape loops with my Nagra IIII deck.

 
July 1, 2016

AI Weekly No. 001 - Purr Louder...

by Chris Randall
 



The first AI YouTube vlog is up! Subject matter includes cats, field recording, bribing Mexican cops.

Comments and criticisms (other than the frame rate mismatch jitters, which I'm aware of) are welcome. Type below. Also, if you haven't subscribed to the channel, please go do so, for the ulterior motives addressed in the previous post.

 
June 25, 2016

Addendum To The Previous...

by Chris Randall
 

Naturally, since I've spent most of the last week lying on a beach in Mexico, I'm totally amped to get home and get back to work. Item, like, three or something on my List Of Shit To Do is get my YouTube channel rolling. I've done a lot of reading over the last week on the various resources available to YouTube content creators; I'll admit I've never really used this platform to its fullest potential after reading all this shit.

(Sidebar: I also discovered that the most popular YouTube channels are for really bizarre shit. These people have over 4 million subscribers, and as best I can tell, they put up a 5 minute video every day where they throw Mr. Potatoheads at each other and show off their cosmetic dentistry. Shit is a Japanese Game Show level of weird, no joke.)

Anyhow, during my journey I found out that YouTube has a complete and very nice production facility in Los Angeles that is (more or less, with various caveats) open to anyone that has 10K subscribers on their channel. I would like to use this production facility to record live performances of the people in our Circle Of Trust to build our community, and give some of these excellent performances that we regularly shit out in to the wild a more permanent home in the social fabric.

With the caveat that I have never once actively pursued subscribers, I currently have about 1300 subs to my personal YouTube channel. Audio Damage has about twice that many, and thus would be a better starting place, but many of the YouTube For Creators features (including the production studios) are not available to business channels. However, I think that our needs would best be met in this context by making an Analog Industries channel, starting from a blank slate, and taking the hit.

(EDIT: Made the channel, or at least the beginnings of it. Please go hit "subscribe" so we can quickly get to the hundred subs needed for the custom URL, which is much better for further promo.)

My reasoning here: this will enable more consistent branding between this site and the channel, and the difference between 8700 subscribers needed and 10K needed is really only just a couple rungs on an already tall (but not insurmountably so) ladder. I mean, while there's a lot of crossover, I have over 10K between my Twitter and Instagram accounts, so it can't be that hard. Can it?

I guess we'll find out. It's going to take a community effort to get that many subscribers so we have access to the YouTube studios. Once that occurs, we'll have to figure out, as a community, who gets to reap the reward of having their performances recorded for posterity. I'm open to any and all suggestions in that regard; this will be somewhat technically challenging, and we'll need volunteers to assist with the technical work in LA. (And wherever else we do it; there are also YouTube Spaces in several other cities, but I'm given to understand the LA one is the best one.)

With all that in mind, I'll be shipping the new AD module (Shapes) and a long-awaited restock of Sequencer 1 all next week. In my free time, I'll be assembling the AI YouTube channel and starting to make content for it. This is where I'll do the vlog and other associated content; I'll keep the live performances and shit on my own channel, as has always been the case, and the AD channel will continue to be the hub for tutorials and what-not.
 

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