So, all coding is done, and final release installers have been built. The only thing left at this point is the manual, and my own extreme torture testing, which is the last thing I do, wherein I try my hardest to break the plugin, through completely ludicrous actions. (200bpm tempo swings, hard-core rapid automation of all parameters simultaneously, that sort of thing.) I'm doing that now, while Adam writes the manual, which you're gonna probably need for this beastie, unlike most of our products. It is at least as complex as Replicant, in my opinion. Like Replicant, it can be used out of the box and puzzled out without the manual, but if you want to get the full benefit you're gonna have to do some reading.
Anyways, how's tomorrow looking for you? That's where we're at.
Started my guitar project today. I picked up a nice piece of lightly figured Western Maple yesterday, and today I roughed out the body. I need to go purchase a drill press so I can finish cleaning it (Robo-Sander ftw), then route the edging and the cavities. As you can see, if you know guitars, I loosely modeled the body shape on a Supro Dual Tone, but I streamlined it in a sort of Jag-ish manner. I guess it's a Jagro. But this isn't a piece of alder with a maple top. It is a solid (and not in the least inexpensive) unglued slab of maple.
I can do all the body work and finishing myself, but the neck is beyond my wood-working abilities, so I'm gonna order a custom up from Warmoth. The main sticking point at this juncture is whether to get Space Invader inlays, really. I have enough of this maple left to do a second one, but I may make a matching one out of a nice piece of black walnut I have my eye on at our local hardwood sawmill. (One of 7 within a 10 minute drive of my house, but the only one that will do custom cuts on hardwood.)
Anyways, we're off to the races on this bitch. My main problem is that most solid-body electrics look too small on me; my frame is much better suited to bass playing, as I'm 6'4", and my arms hang down to the floor, essentially. So, don't let the picture mislead you. The body of this guitar is roughly the same size as a J-Bass. It'll be a canoe paddle of epic proportions when it is done.
Well, be that as it may, we shall forge ahead undaunted. I have to say that I'm really liking the examples in the previous thread. The nice thing about our genre is that, even with such strict guidelines, it still allows ample room for experimentation. I think it's time we started working on our "This Is Grindhouse" album, frankly.
I think that the album should be free, to foster interest in our genre; once we have it done, you can all go forth to the other forums you're involved with and spread the word, either sub rosa, or with malice aforethought. We'll host it on the Positron! site, of course, to give it the credence of an actual label.
So, if you want to be involved with the comp, make your Grindhouse track per the rules and examples, and upload it as a 44.1/16 WAV or AIFF, and send me a link where I can get at it, and we'll take it from there.
NOTE: If you're going to create your own sub-genre of Grindhouse for the purposes of the comp, make sure that your ruleset is a sub-set of what already exists. e.g.: a dub iteration of Grindhouse should be exactly half-time of a normal Grindhouse track, 70 bpm. An ambient or minimalist version should have elements at 140 bpm. All Grindhouse tracks should be able to be easily mixed with one another, in other words.
It kind of makes the whole scene seem somewhat more friendly and less subtly crazy. God, I love this state. I think that we should add circuit bending to the Grindhouse genre somehow. (Even though I live here, the decidedly Chicago-centric GetLofi circuit-bending blog tipped me to this, so props where props are due.)
Over the last couple years, AI has gone from a place where I post the occasional gear picture and commentary to a site that is read by a couple thousand people every day largely because of my tendency to froth at the mouth. That's fine and all, but I've turned in to the Anne Coulter of music blogging, a fact that I find somewhat unnerving, largely because I didn't plan it. The nasty side effect of this tendency of mine rears its ugly head thusly: my opinionated postings (and more opinionated responses to comments) have seemed to gather a group of individuals who feel the need to take issue with everything I say, and most anything that anyone says.
While that's (sort of) okay and all, it has made this site a semi-unpleasant place, at least for me. I find myself really having to work to come up with a post a day, and when I force it, you end up with the posting immediately prior to this one, in which I try to invent a genre.
So, long story short, here's what's gonna happen. I'm going to attempt to be nicer/less frothy in my postings for the foreseeable future, and return to the AI content basis of about this time last year (which was the fun bit after we stopped calling people fucktards, but before we became them ourselves.)
However, you don't get something for nothing. I'm also gonna go through and zero out the people that I don't want commenting any more. Part of the reason I've been so pissy the last few months is that select group of people I mentioned above, and I will enjoy this page much more if I don't have to look at their typing every day, and if I'm enjoying it, I imagine you are too.
So, long story short, if you find that you can't comment from henceforth, you now know why, and I'm going to be far more brutal in deleting bullshit from here on out. Then, theoretically, we can get back to discussing how to make our way in this silly business without having to get all huffy about everything.