Chris Randall: Musician, Writer, User Interface Designer, Inventor, Photographer, Complainer. Not necessarily in that order.
 
September 26, 2016

ADM17 Proton Now Shipping...

by Chris Randall
 



Pleased to report that our Karplus-Strong (or, well, "Karplus-Wrong," amirite?) voice module, Proton, is now shipping to retailers! It is a complete synth voice in a single module, with some AD Secret Sauce™, and is US$325.00. It should be hitting the stores in the next couple days. Ask at your local (that's how they know how many to order from us.) I'll put it up in the AD store next weekend if you prefer the whole direct thing.

The video above is an overview; jump to 7:20 if you want to hear it patched, and don't feel like hearing me extemporize on tuned delay lines for seven straight minutes. The product page on the AD site is here. If you don't know what Karplus-Strong synthesis is, Nick Batt and I talk about it at Superbooth for a good long while (and I use an early prototype of Proton to demonstrate it.


 
September 21, 2016

Hands, With Occasional Beard...

by Chris Randall
 



In order to do the overview video for our Proton module, I needed to multi-track and clear a patch I've been playing with for the last couple days. Before I did that, I thought I'd do a quick live performance video of the patch, which you can watch above.

I'm using the four track cassette deck for the noise beds; there are three ambience loops I recorded in various places (Mexico pyramid ambience, Berlin U-Bahn, and the O'Hare airport), plus a fourth track that is a pad. The 4-track I have only has stereo outs, so I have the first track as FX send 2, going to the H9 Max. The second and third tracks go straight to the modular out the main outs, and the fourth track, the pad, goes straight to the modular out FX send 1. In this way, I have direct outs of all four tracks from a deck that doesn't have direct.

The pad is running to a Kompressor module, where I introduce the sidechain pulse, and then to Dimensions to get stereo-fied. The high hat and sidechain pulse are sequenced by the monome/White Whale. The kick, snare, and Boop sound are sequenced by the second Sequencer 1. All are Audio Damage modules. The bass is the WMD/SSF voice, sequenced by the first Sequencer 1. Recorded as a stereo pair straight to Adobe Audition. I used iZotope Ozone 7 for a mild mastering squish, but otherwise, WYSIWYG.

 
September 20, 2016

Using External Effects And Modules In Live: Tech Time 009...

by Chris Randall
 



A couple people have asked me to do some more basic videos, so I thought I'd give that a whirl. This one is a quick-ish demonstration of using external effects and modules in a Live session, and the hidden gotchas of same.

Let me know if you have any specific topics you'd like me to cover, or any questions/comments about this particular video.

 
September 18, 2016

Musical Stylings...

by Chris Randall
 

Although I don't actually make music to pay the rent any more (and thank all the various Gods and wildland færies and whatever for that!) it is still rather important to my personal well-being and understanding of the world to keep my feet wet. I find people that make gear but don't release records to be, well, you know.

To that end, I recorded a full EP, or more of an extended EP, or maybe a short stack LP... eh, fuck it... a pile of songs for Detroit Underground™, which will be released shortly, with remixes from Basek and Proem. I'll talk about that more when it's out.

In the meantime, I have merrily continued to make tracks, like I do. So these two tracks, while being "put out" before the DU™ release, were in fact recorded after it was done. In both cases, everything went through the Euro. If you have any specific questions about a part, I'll be happy to answer to the best of my abilities. But suffice to say both were done with my normal techniques, which I've talked about at length on the AI YouTube channel.

Listen to "windows - east berlin" by chris randall.

Listen to "piece_01" by chris randall.

If you click/tap the name of each track, you'll be taken to the Octave page, where you can download it if you so desire.

 
September 12, 2016

Sound Experiments 001 - DIY Noise Box...

by Chris Randall
 



Just a fun little Saturday afternoon project. My only comment not covered in the video is that, like all piezo-based projects, you need an amplifier of some sort to bring it up to modular levels. I use a Circuit Abbey Axis module, but any preamp will do. The Music Thing Mikrophonie is probably the best tool for this job, and handy to have in any case.
 

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