blog | analogindustries.com

Nov.20
2009

Even More Tattoo...

Doing the final voice work today. Here's a clip with quite a bit going on:

The mid tom sound has every parameter randomized (noise level, click level, tone level, pitch EG amt, tuning, pan, and saturation). It's also being triggered by random notes, then sent to Dr. Device, which is set to the "Stereo Dubs (insert)" patch, kinetics on, and the grey knubbie driving filter freq and res.

The hi-hat, which has its decay time randomly sequenced, is getting 1/32 ghost notes via the random note generator, in addition to the 1/16th notes that are programmed in the sequencer, then sent out one of the mono outputs. The kick is unaltered in any way; it is just sent out another mono output.

Comments:

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Audio crack ... sells me some.

posted November 20, 2009 by inteliko

I love the toms.

posted November 20, 2009 by mike kiraly

Love that kick... tasty!

posted November 20, 2009 by krell

Waiting...
...
......

posted November 20, 2009 by Computer Controlled

that demo is groovy (smooth) and full techno. sounds great. just listened in the studio.

posted November 20, 2009 by boobs

And as always, I'm with boobs.

posted November 20, 2009 by mike kiraly

I can now officially say that the voice programming is done. We've only got a couple little things left on the Windows side, then we can move to OSX and "optimization." It's a bit heavy on the CPU, but that's to be expected with roughly 50 sequencers running at once, plus a whole mountain of oscillators, envelopes, and filters.

It'll come down quite a bit as we move in to the final stages, of course. It's certainly usable now. Not on a Netbook or anything, though. ;-)

-CR

posted November 20, 2009 by Chris Randall

The demo strangely sounds like the drum rhythm to Astley's Never Gonna Give You Up. I A/B'd it a couple times and... i like it.

posted November 20, 2009 by Jaysen

This is turning out to be the kind of plug that makes we revisit ucapps.de just to mull the idea of a custom controller over (and over) in my mind.

posted November 20, 2009 by thesimulacre

It would need 54 controllers just for the knobs in the drum synths. It would need a total of 83 controls if you wanted to get all the levels, pans, and the compressor. This doesn't take in to account the several hundred buttons, or the 2052 distinct controls that make up the modulation sequencing section.

In short, a dedicated controller for Tattoo would look about like the bridge of the Enterprise. And I'm not talking about no mamby-pamby Series One Enterprise either. I mean the whole hog 9th movie Enterprise.

-CR

posted November 20, 2009 by Chris Randall

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