September 26, 2011

Tempest First Impressions...

by Chris Randall
 



DSI were kind enough to loan me one of the first production versions of the upcoming Tempest drum machine for beta testing and to write some presets. The word "loan" there is loaded, because they're gonna have to send heavily armed gear ninjas to my house to get it back. To describe this thing as bad ass is to understate the matter entirely.

There are plenty of articles out there on what the Tempest is, and a simple Google search will give you the full technical run-down, so I won't bother with that. Long story short, if you're familiar with the Mopho/TETR4/P'08, this is obviously designed by the same folks, and has the same general vibe.

The oscillators are one of the two places where the Tempest really departs from the normal DSI analog voice architecture. Each of the six voices has two analog oscillators and two digital ones; all four can blow at once. The digital oscillators comprise several methods of making noise (they did a very good job in the noise selection department), a couple hundred different drum samples running the gamut of styles, and the complete Prophet VS waveform library. They are quite capable, and while being necessarily drum-centric, Tempest can also do a pretty favorable turn as a synth.

The other place the Tempest differs from normal DSI gear is in the envelopes. There are five in all. Three are hard-wired to pitch, LPF, and VCA respectively, and two are not pre-assigned. These envelopes can be ADSR (synth-like) or AD (drum-like), and they are very fast and accurate. These are some of the best envelopes I have come across, period, and I might have a little experience with synth programming. I'm going to strongly lobby that DSI put them in all their products from here on out, and that other synth manufacturers license the design. Another pure win aspect: the envelopes can mod themselves via the excellent mod routing page. What this means is that DSI doesn't have to have a bunch of extra controls for envelope shapes. You can just hit an envelope with its own output to change the response curve. Extremely simple once you get the knack of it, and it extends the sound palette considerably.

The timing and feel of the unit is rock solid. No offense to Elektron, but they need to send someone to DSI to learn how this is done. I recorded several passes and got in to single sample viewing range trying to find diversion, but there is none. "Spot on" doesn't begin to describe it. The feel of the sequencer is subjective, I'll grant, and is a function of the timing, the swing, and the velocity response curve, and how they interface with your worldview. The swing in this unit is lifted directly from the LinnDrum via the MPC60, and feels exactly right, as it should. Roger Linn knows swing, and this unit reflects that.

Several people have asked me on Twitter about its sampling capabilities, and suffice it to say that there are none. It is a drum synthesizer with some sample ROM, not a sampler at all. There is no audio input on the unit, period.

Anyhow, long story short, this is my dream drum machine, and I'm turning my house in to a bunker to fight off Dave Smith and his Ninja Army. I'll be happy to field any questions anyone might have, within the confines of what I've been given permission to talk about. (Keep in mind that despite being a production unit hardware-wise, this still has beta software, and I can't talk about features that haven't been implemented, or that are experiencing a state of flux.)
 
 
 

50 comments:

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Sep.28.2011 @ 9:31 AM
neB
I just pulled it out of the ?ther...so, you're welcome to run with it as the new AI standard!
 
 

 
Sep.28.2011 @ 11:26 AM
beauty pill
Oh lord, here come the "full of crunkstepno" t-shirts.

- c
 
 

 
Sep.28.2011 @ 11:28 AM
Chris Randall
Okay, calm down. It's not even a meme yet. But I'm already pondering a "THIS IS CRUNKSTEPNO" compilation.

-CR
 
 

 
Sep.28.2011 @ 1:42 PM
Jason Duerr
God I love American Engineering.
 
 

 
Sep.28.2011 @ 5:07 PM
boobs
CR - i thought your favorite genre was "complextro"?
 
 

 
Sep.28.2011 @ 5:54 PM
Puzzlegob
@Chris

How many projects can the tempest store? How long does it take to switch between them? What kind of fashion accompanies crunkstepno? I was thinking Hawaiian shirts, kilts and balaclavas.
 
 

 
Sep.28.2011 @ 6:55 PM
Pym
@CR Yeah fine outing me... this is about as close as I get to a social life these days

@patchen There is sort of a pseudo-FM you can do with the audio mod parameter, which routes OSC1 to the Lowpass Filter CV. Beyond that it would require a hardware change

@Puzzlegob At last count we saved roughly 650 beats, which translates to roughly 40 projects if you save only project files, although it depends how busy your sequences are since that makes it a larger file. It takes a second or two to load a project

I've been making a lot of Sluthop lately but I might try some Crunkstepno next
 
 

 
Sep.28.2011 @ 7:11 PM
renderful
The workflow of the device looks great, I can really see the MPC legacy shining through. That said, I'm not really hearing any sounds in the demoes that will work into intelligent dance polka, so I'll have to pass on this one.
 
 

 
Sep.29.2011 @ 9:21 AM
patchen
@Pym, That make sense as it is similar to it's stable mates. Not Ideal but I'm sure it will be useful.

This does look like a killer box but not sure I'll be able to justify the expense for my own needs. I do hope it is very successful so that Roger Linn has plenty of bankroll and motivation to create 'his' iteration of the machine that includes proper sampling...
 
 

 
Oct.21.2011 @ 6:34 AM
innerclocksystems
@Pym - any ETA on Clock In? regards - David
 
 

 
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