June 5, 2011

The Three Hour Challenge...

by Chris Randall

My wife is a good sport about my noise-making habits, bless her heart, but she draws the line at cranked tube amps. For extra bonus points, we both work at home. This being the case, my guitar playing usually goes via NI Guitar Rig, which is nice and all, but can't really compete with my '67 Guild Thunder I Reverb.

Today, however, she went to a birthday party for one of her friends, and I had three hours of me time. I decided to set myself a challenge to write, perform, and mix a track in those three hours that I could make all the noise I wanted. For an IDM track, this would be easy enough. Load up some samples, set Replicant to "stun," and render. But I decided that this particular song was going to have guitar and vocals.

Now, in candor, this wasn't from bare metal. I spent the better part of the day getting the sounds together. I used my general Micronaut "experiments" rig for the backbone. The kick drum is coming from the DSI TETR4 to Eventide TimeFactor, that first snare-ish sound you hear is the MeeBlip running through my circuit-bent Boss 'verb, and the bass noink thing is the MS20. I also had to bust out My First Piano with a piezo for a little special sauce. All recorded in to Live through my utilitarian TASCAM USB interface, which I consistently wish had more outputs for FX sends. TASCAM seems morally opposed to making an interface with more than 4 analog outputs, though, so I abide.

Since I'm not only a southpaw playing right-hand guitar, but not an especially gifted guitarist in the first place, it takes a lot of practice time to be able to play and sing at the same time; I have to memorize hand positions per word. Since time wasn't a commodity I was blessed with, I used Live's Looper plugin to grab an 8-measure rhythm part, and then just vamp over the top of that at the end. The guitar, a Harmony Stratotone with Airline badging, is running through a Realistic Electronic Reverb (which is an excellent distortion box) to a Maleko B:Assmaster, to a compressor of my own design based upon the Orange Squeezer, then in to the amp.

For the vocals, I wrote down a couple phrases, and had a general idea of what I was gonna do, but largely ad-libbed it. Ain't gonna give "A Day In The Life" a run for its money any time soon. The vocal chain is DMG Compassion -> Kombinat, with a touch of Dubstation on the ass end. Compassion is also on the drum buss, the guitar, and the 2-buss. Love that plug.

Anyhow, it was fun to do. As far as setting intentional limits for yourself, the short-span-of-time one is the most unforgiving, and the one most likely to be cast aside. But it can be refreshing. The hardest part is showing it off afterwards, because it will never be the best you can do. Any other takers for the 3 Hour Challenge?


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Jun.08.2011 @ 1:22 PM
late to the party... as always. dig the track... as also per usual.

i've found myself wholly incapable of finishing anything without some sort of arbitrary time constraint - maybe a mad rush to come up with a set for a show booked on blind good faith in a few weeks. no panic, no action.

"Been hearing a lot of shoegaze guitar work on top of heavily distorted boom bap hip hop beats in my head."

have you been lurking in my basement? as for the relative goodness of concept, like anything it can go far in either direction.

also also of course, i'll be the one with my face pressed to the glass at the beautypill zoo enclosure. hope you're prepared for that.

Jun.08.2011 @ 3:59 PM
"Been hearing a lot of shoegaze guitar work on top of heavily distorted boom bap hip hop beats in my head."

Sounds like a description of this MBV track from 1988:

link [www.youtube.com]

This track sampled "Security of the First World" a few years before Madonna did.

Jun.08.2011 @ 8:56 PM
@sean A couple of months ago I was listening to old MBV records, and the b side to the Instrumental 7" was a big inspiration to the sound that I have been hearing in my head. We are on the same wavelength my friend...


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