Chris Randall: Musician, Writer, User Interface Designer, Inventor, Photographer, Complainer. Not necessarily in that order.
 

Archives: June 2011


June 8, 2011

AD Hardware...

by Chris Randall
 



We made an update to the Audio Damage store today. This will be mostly transparent to you guys, as we added the ability for the store to query the USPS for true shipping prices and apply those to orders that contain mailed goods. The only differences you'll note are that the "Merchandise" category is now "Hardware," and in it, ironically, is some merchandise.

The Audio Damage BotShirt and Stickers are now available for purchase. The shirt is $15 plus actual shipping costs, and the stickers are 2 for $2.00, free shipping.

 
June 5, 2011

The Three Hour Challenge...

by Chris Randall
 



My wife is a good sport about my noise-making habits, bless her heart, but she draws the line at cranked tube amps. For extra bonus points, we both work at home. This being the case, my guitar playing usually goes via NI Guitar Rig, which is nice and all, but can't really compete with my '67 Guild Thunder I Reverb.

Today, however, she went to a birthday party for one of her friends, and I had three hours of me time. I decided to set myself a challenge to write, perform, and mix a track in those three hours that I could make all the noise I wanted. For an IDM track, this would be easy enough. Load up some samples, set Replicant to "stun," and render. But I decided that this particular song was going to have guitar and vocals.

Now, in candor, this wasn't from bare metal. I spent the better part of the day getting the sounds together. I used my general Micronaut "experiments" rig for the backbone. The kick drum is coming from the DSI TETR4 to Eventide TimeFactor, that first snare-ish sound you hear is the MeeBlip running through my circuit-bent Boss 'verb, and the bass noink thing is the MS20. I also had to bust out My First Piano with a piezo for a little special sauce. All recorded in to Live through my utilitarian TASCAM USB interface, which I consistently wish had more outputs for FX sends. TASCAM seems morally opposed to making an interface with more than 4 analog outputs, though, so I abide.

Since I'm not only a southpaw playing right-hand guitar, but not an especially gifted guitarist in the first place, it takes a lot of practice time to be able to play and sing at the same time; I have to memorize hand positions per word. Since time wasn't a commodity I was blessed with, I used Live's Looper plugin to grab an 8-measure rhythm part, and then just vamp over the top of that at the end. The guitar, a Harmony Stratotone with Airline badging, is running through a Realistic Electronic Reverb (which is an excellent distortion box) to a Maleko B:Assmaster, to a compressor of my own design based upon the Orange Squeezer, then in to the amp.

For the vocals, I wrote down a couple phrases, and had a general idea of what I was gonna do, but largely ad-libbed it. Ain't gonna give "A Day In The Life" a run for its money any time soon. The vocal chain is DMG Compassion -> Kombinat, with a touch of Dubstation on the ass end. Compassion is also on the drum buss, the guitar, and the 2-buss. Love that plug.

Anyhow, it was fun to do. As far as setting intentional limits for yourself, the short-span-of-time one is the most unforgiving, and the one most likely to be cast aside. But it can be refreshing. The hardest part is showing it off afterwards, because it will never be the best you can do. Any other takers for the 3 Hour Challenge?

 
June 3, 2011

Audio Damage Panstation Now Available...

by Chris Randall
 



Meet our newest bouncing baby plug, Panstation. As you can pretty much guess from the name, it is an autopanner, and as far as we're aware, the most sophisticated autopanner plug-in available. (If you feel like correcting me on that, don't, because I've sort of hung my hat on that bullet point.)

It is "inspired by" the Drawmer M500. We took basically every feature from the panning engine of that box (including a detailed clone of its pan law and waveforms) and added some other jank we thought would be handy, like the audio trigger counting mechanism from the A&D PanScan.

32/64-bit across the board, AU and VST for Mac and VST for Win, US$39.00. Go get it.
 

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